6.4 The dipole as two opposing monopoles

A monopole changes the local volume of the medium. But many vibrating objects don’t: a tuning fork’s prong moves left, then right; a violin string vibrates transversely; a loudspeaker cone moves forward, the back of the cabinet moves backward by an equal amount. These sources don’t create volume; they displace it.

The cleanest model for such a source is the acoustic dipole: two equal-and-opposite monopoles separated by a small distance dd.

The construction

Place a positive monopole (radiating with +Q0+Q_0 volume velocity) at +d/2+d/2 along the zz-axis, and a negative monopole (Q0-Q_0) at d/2-d/2. Each radiates the spherical-wave field of lesson 6.1. The total field is the sum:

p(r,t)  =  iωρ0Q04π ⁣[eikr+r+eikrr],p(\mathbf{r}, t) \;=\; \frac{i \omega \rho_0 Q_0}{4\pi}\!\left[\frac{e^{-ik r_+}}{r_+} - \frac{e^{-ik r_-}}{r_-}\right],

where r±r_\pm are the distances to the two sources.

The far-field pattern

For dλd \ll \lambda and rdr \gg d, expand r±r(d/2)cosθr_\pm \approx r \mp (d/2) \cos\theta, where θ\theta is the angle between r\mathbf{r} and the dipole axis. The two contributions almost cancel; the residual is the dipole’s far-field pattern:

p(r,t)    ω2ρ0Q0d4πcrcosθcos ⁣(ωtkr).p(\mathbf{r}, t) \;\approx\; \frac{\omega^2 \rho_0\, Q_0\, d}{4\pi c\, r}\, \cos\theta\, \cos\!\big(\omega t - k r\big).

Two things to notice:

  1. Directionality. The pressure goes as cosθ\cos\theta. It is zero perpendicular to the dipole axis (the two monopoles cancel exactly), and maximum along the axis. A figure-eight pattern in 2-D, a “dumbbell” in 3-D.

  2. An extra factor of ω/c=k\omega/c = k. Compared to a monopole of the same volume velocity, the dipole radiates an amplitude smaller by kd\sim k d. Since kd1k d \ll 1 for a small dipole, the dipole is a much weaker radiator than a monopole of the same volume velocity at the same frequency. (Conversely, at higher frequencies — where kdk d approaches 11 — the dipole becomes more efficient.)

The intensity radiated by a dipole:

I    ω4Q02d2c2r2cos2θ.\langle I \rangle \;\propto\; \frac{\omega^4\, Q_0^2\, d^2}{c^2\, r^2}\, \cos^2\theta.

The ω4\omega^4 is the same scaling as Rayleigh scattering of light (and for the same reason — both are dipole radiation in 3-D). It explains why high-frequency dipole sources (tuning forks at audible pitches) radiate much more efficiently than low-frequency ones.

Concrete examples

Dipole moment

The dipole’s strength is captured by the dipole moment pd=Q0d\mathbf{p}_d = Q_0\, \mathbf{d}. Two dipoles with the same pd\mathbf{p}_d are interchangeable at distances large compared to either size. This is analogous to the electric-dipole moment of electromagnetism (and the analogy goes much deeper — radiation patterns, frequency dependence, even the language).

Higher multipoles

Pairs of opposing dipoles make quadrupoles; pairs of opposing quadrupoles make octupoles; etc. Each higher multipole is more directional but radiates less efficiently at the same volume velocity. The multipole expansion of an arbitrary source is the acoustic analogue of the spherical-harmonic expansion of an arbitrary electromagnetic source, with the same Bessel-function radial profiles.

For the most part in this book we will care only about monopoles and dipoles. The exception is the piston in a baffle (next lesson), which is genuinely a directional radiator and which the multipole expansion treats poorly.